The basse dance set La Magdalena probably by Pierre Blondeau, published in Attaingnant's 'Dixhuit Basses Dances garnie de Recoupe et Tordions' of 1529, played by John Edwards, lute.

Profs. Matt Kavaler and Deanne Williams talk with John Edwards about the paintings of the Master of the Female Half-lengths and their shared context with Anne Boleyn's songbook. We hear the Basse Danse La Magdalena by Pierre Blondeau played by John Edwards.

Performed by Julia Morson, sop. Whitney O'Hearn, ms, singing the alto, Katherine Anderson, singing the bass, John Edwards, lute, led by Hallie Fishel, also singing the tenor.

Lisa Wang on the theology of the Song of Songs with Sicut Lilium (Antoine Brumel)

Performed by Julia Morson, sop. Whitney O'Hearn, MS, Katherine Anderson singing the tenor with Eleanor Verrette, vielle, and John Edwards, lute, led by Hallie Fishel, also singing the tenor.

John Edwards talks to Prof. Deanne Williams about performance practice questions thrown up by the Anne Boleyn Songbook. We hear Alma Redemptoris Mater composed by Jacob Obrecht performed by Julia Morson, sop. Whitney O'Hearn, mezzo, Katherine Anderson alto, Eleanor Verrette, vielle, John Edwards, lute all led by Hallie Fishel, singing alto.

Performed by Julia Morson, sop. Whitney O'Hearn, MS, led by Hallie Fishel, singing alto.

Prof. Deanne Williams talks to John Edwards about Anne Boleyn's Songbook. We hear the anonymous Gabrielem Archangelum sung by Julia Morson, Whitney O'Hearn and Hallie Fishel.