Delyght Pavan and Delyght Gallyard by John Johnson and the ballad tune I Can not keepe my wife at home from Margaret Board's Lutebook, played by John Edwards

George Torres, Prof. in Music at Lafayette College, Deanne Williams, Prof. in English at York University, and John Edwards discuss correspondences between lute instruction manuals and manuals on civility from 16th and 17th century in France & England, how lute lessons were also decorum lessons, & the lute lesson in Taming of the Shrew. We hear Delyght Pavan & Gallyard (Johnson) & I Cannot keepe my wyfe at howme (anon.) from Margaret Board’s lutebook.

Music from court masques arranged for lute played by John Edwards: Antiq Masque per Mr. Confesso set by Mr. Taylor, originally by John Coprario, Witches Daunce by Robert Johnson, Lady Phillyes Masque, Anon. La: Elyza her Masque, The Prince his Almayne and The Prince his Coranto all by Johnson and from Margaret Board's Lutebook.

Deanne Williams on the Masque and its players with Antiq Masque-Witches Daunce-Lady Phillyes Masque-La: Elyza her Masque-The Prince his Almayne-The Prince his Coranto (arr. Robert Taylor, Robert Johnson, anon. Johnson, Johnson, Johnson)

Lachrymae by John Dowland, anonymous settings of the ballads Poore Tome and Bony Sweete Robyn, and Richard Allison's setting of Goe from my Wyndowe, all from Margaret Board's Lutebook, played by John Edwards.

Tom Bishop on plays, playhouses and playgoers with Lachrymae, Poore Tome, Bony Sweete Robyn, Goe from my Wyndowe (John Dowland, anonymous, anonymous, Richard Allison)

The anonymous Delacourt Pavin, Markanthonyes Gallyard, probably by Mark Anthony Galliardello or Mark Anthony Bassano, and Orlando by John Dowland, from Margaret Board's Lutebook, played by John Edwards, lute.

John Edwards on the book and its contents with Delacourt Pavin-Markanthonyes Gallyard-Orlando (Anon. Mark Anthony Galliardello?, John Dowland)